Ultimate freedom means being accountable to no one but oneself, and thus, even if McCandless usually intended to act for the greater good, he has only his own limited perspective on what will truly lead to the greater good. It is still inherently selfish, however, because it means acting for the individual over society, which is designed to protect everybody. McCandless’s quest for ultimate freedom is not rooted in selfishness it, in fact, comes out of largely noble desires. Krakauer believes that McCandless changed during his Alaska trip, that he may have mellowed and become ready to rejoin society and maybe even his family, although all of this is based on a few small lines Chris wrote, and passages he underlined in his reading.Įxplain how McCandless’s quest for “ultimate freedom” is inherently selfish. Krakauer also makes him a dynamic character, although the basis for this is largely conjecture. Although he is largely presented as good, his flaws are illuminated, and even his best qualities sometimes fail him. In Krakauer’s depiction, McCandless is certainly a round character. In Krakauer’s depiction of McCandless, is he a flat or round character? Static or dynamic? This does not mean that he is not truly compassionate, but this compassion does have bounds. He willingly and intentionally leaves them in a state of utter unhappiness while he travels, and his disregard for his own safety threatens and ultimately destroys their wellbeing. It is clearly central to his personality for his whole life-he spends weekend nights in high school bringing burgers to homeless people-and yet he shows almost no compassion in dealing with his parents once he is in college.
McCandless’s compassion is the most enigmatic part of his story. Is McCandless truly compassionate, as he is often described? Yet because Krakauer makes this explicit, and doesn’t try to fool the reader, the reader still has the freedom to make their own interpretation. For example, because he sees a lot of similarities between Chris and himself, he makes certain assumptions about Chris’s motivations and desires that he might not otherwise make. There is still a scale of more or less impartial, however, and Into the Wild falls on the less-impartial side, as Krakauer himself admits. The power and luminosity of Jon Krakauer’s stoytelling blaze through every page.Is it possible for a biography to be truly impartial? Is Into the Wild?īiography can never be truly impartial, as, even if the author could include every moment of the subject’s life, rather than choosing which are most important, his method of presentation and his diction, inherently affect how the reader will feel about the subject. Mesmerizing, heartbreaking, Into the Wild is a tour de force. Krakauer brings McCandless’s uncompromising pilgrimage out of the shadows, and the peril, adversity, and renunciation sought by this enigmatic young man are illuminated with a rare understanding–and not an ounce of sentimentality. He is said to have had a death wish but wanting to die is a very different thing from being compelled to look over the edge. When McCandless’s innocent mistakes turn out to be irreversible and fatal, he becomes the stuff of tabloid headlines and is dismissed for his naiveté, pretensions, and hubris. Admitting an interst that borders on obsession, he searches for the clues to the drives and desires that propelled McCandless. Jon Krakauer constructs a clarifying prism through which he reassembles the disquieting facts of McCandless’s short life. Leaving behind his desperate parents and sister, he vanished into the wild. Craving a blank spot on the map, McCandless simply threw the maps away.
INTO THE WILD BOOK BUY FREE
He would give himself a new name, Alexander Supertramp, and, unencumbered by money and belongings, he would be free to wallow in the raw, unfiltered experiences that nature presented.
INTO THE WILD BOOK BUY LICENSE
In the Mojave Desert he abandoned his car, stripped it of its license plates, and burned all of his cash. Immediately after graduating from college in 1991, McCandless had roamed through the West and Southwest on a vision quest like those made by his heroes Jack London and John Muir. How Christopher Johnson McCandless came to die is the unforgettable story of Into the Wild.
Four months later, his decomposed body was found by a moose hunter. He had given $25,000 in savings to charity, abandoned his car and most of his possessions, burned all the cash in his wallet, and invented a new life for himself. In April 1992 a young man from a well-to-do family hitchhiked to Alaska and walked alone into the wilderness north of Mt. “Terrifying… Eloquent… A heart-rending drama of human yearning.” - New York Times Krakauer’s page-turning bestseller explores a famed missing person mystery while unraveling the larger riddles it holds: the profound pull of the American wilderness on our imagination the allure of high-risk activities to young men of a certain cast of mind the complex, charged bond between fathers and sons.
0 kommentar(er)
